Mixtape #94

With April comes a superb mixtape lovingly put together by wonderful and prolific Greek composer, electronic musician and producer Serafim Tsotsonis. With an immense portfolio spanning four albums and compositions and collaborations in the worlds of film, television, and theatre, his influences are vast, flirting with genres from neo-classical and ambient to post-rock and dream pop. You'll find a bit of all of this and more in his mix so press play and enjoy!

  1. Fennesz – The Point of It All [Touch]
  2. Demen – Mea [Kranky]
  3. Brian Eno & Harold Budd – Still Return [Virgin Records]
  4. Jon Hassell & Ry Cooder – Nature Boy [Water Lily Acoustics]
  5. Ocean Hope -Tame [Hush Hush]
  6. Boards Of Canada – One Very Important Thought [Warp]
  7. Weyes Blood – In the Beginning [Mexican Summer]
  8. Ryuichi Sakamoto – andata (Oneohtrix Point Never Rework) [Milan Music]
  9. Efterklang – The Living Layer [4AD]
  10. Bibio – Kaini Industries (Original By Boards of Canada) [Warp]
  11. Slowdive – Don’t Know Why [Dead Oceans]
  12. Alfred Schnittke – II
  13. Robin Guthrie and Harold Budd – Outside, Silence [Soleil Apres Minuit]
  14. Anna Calvi – The Bridge [Domino]
  15. Preoccupations – Disarray [Jagjaguwar]
  16. Peter Broderick – Carried [Erased Tapes Records]
  17. Insecure Men – Ulster [Fat Possum Records]
  18. Johann Johannsson – Melodia (i) [4AD]
  19. Christina Vantzou – Vhs [Kranky]
  20. Manos Hadjidakis – To Vals Ton Hamenon Oniron

Bibio’s new album Phantom Brickworks arrives next month

Bibio has a new record on the way called Phantom Brickworks, following last year’s A Mineral Love. Featuring nine new tracks, the record arrives on November 3rd through Warp. As is usual with Bibio’s releases, he offered some words about the it:

“I don’t believe in ghosts but I do believe places can be haunted by meaning. Places change, not always for the better and not always by natural, benevolent or politically sound means. A place can be charged with atmosphere because of what it has been through or what it has been.

Phantom Brickworks is a collection of mostly improvised musical pieces, that for some years now, have provided me with a mental portal into places and times – some real, some imaginary, some a combination of both. Human beings are highly sensitive to the atmospheres of places, which can be enhanced or dramatically altered when you learn about the context of their history. Echoes and voices can sometimes be heard, in some way or another. Places sometimes have things to say.”

The delicate, magical and eerie ‘Phantom Brickworks III’ is the first single lifted from the album and it comes with a perfectly paired video, also made by Bibio.

Watch the new video for Bibio’s ‘Light Up The Sky’

Bibio - Light Up The SkySpring is blooming with wonderful album releases, and one that we have been listening to over and over again is Bibio‘s seventh album, A Mineral Love. Bibio has recently shared a new single from the album, the marvellous ‘Light Up The Sky’, with a fitting kaleidoscopic video directed by Joe Giacomet. Watch it below.

A Mineral Love is out now via Warp.

Bibio releases new single ‘The Way You Talk’ featuring Gotye

Bibio - The Way You Talk Featuring GotyeWe’re getting excitingly close to the release of Bibio‘s new album A Mineral Love, due out on April 1st through Warp. He had already conquered our ears with ‘Petals’, ‘Feeling’ and ‘Town & Country’, all taken from the upcoming album. Bibio is enticing us again with the wonderful ballad ‘The Way You Talk’, also off A Mineral Love. The track marks his first collaboration, with Gotye guesting on vocals. Here’s what Bibio said about it:

“I first heard Gotye’s music when he approached me to remix what quickly became his hit single ‘Somebody That I Used To Know’. I was unfamiliar with him and his music before hearing that track, but I loved the track on first listen and by the second or third listen I was convinced that ‘Somebody That I Used To Know’ was going to be a big hit, I was absolutely sure of it. There was just something about that track, the hook, the emotion, the lyrics but also his great voice, it all came together in a way that was something new but also something kind of familiar, a winning combination. Gotye himself has a unique voice but it also feels somehow familiar and I think this was one of the reasons why his track touched so many people.

A few years ago I had been playing around with this chord sequence that I came up with when playing my Wurlitzer electric piano. I became quite addicted to the sequence and slowly developed it over time. As it got more fleshed out and more nuanced, I started to hear potential in it as the foundation of a song. The line “But there’s something about the way you talk” just came out one day while I was playing the piano. I played around with the context of that line and added more lyrics bit by bit, omitting some along the way. The emotional nature of the track and the way I played the piano part seemed to lend itself to an 80s ballad type sound, something I have a bit of a soft spot for.

I did several versions of this track and when it became more developed, I started to imagine a different voice on it. Gotye specifically came to mind because that familiarity I talked about earlier felt like a good match for the track, I just imagined his voice working with the vibe of the track. I contacted him and he was keen to get involved, so I sent him the lyrics, instrumental and my vocal demo and he sent back his vocal parts, not just copying my vocals exactly, he added his own thing, his own nuances, which I loved instantly.”

Listen to ‘The Way You Talk’ below.

Listen to Bibio’s new song ‘Town & Country’ off upcoming album A Mineral Love

BibioWith his seventh album nearing release date, Bibio has shared another wonderful and radiant song from A Mineral Love called ‘Town & Country’. Stephen Wilkinson aka Bibio had already teased his forthcoming album with the beautiful ‘Petals’ and the soulful and groovy ‘Feeling‘. Here’s what Bibio said in a statement about the song and his move to the countryside:

“When I lived in North London between 1999-2003 I found my feet as an artist and came up with the name Bibio. It was also by my second year in London that I knew I wanted to be in the countryside, far away from the big city. My dream was always an old country cottage with an outbuilding I could turn into a studio, the cherry on the cake would be to get a drum kit in there. That dream has now come true and my first ever drum kit is featured in this song. I wrote the drum parts but got my good friend Rob Lee to play them as he is an accomplished drummer with solid timing, it also gave me freedom to work on the miking and the overall sound of the drums as he performed. Rob also added nuances and flair that only an experienced drummer could bring to the mix. It’s a song about struggle, endurance, fantasy, longing, acceptance and appreciation. I wanted it to be both uplifting and bittersweet. It’s not necessarily about me, although written from my sympathetic perspective, but I’m sure there will be people out there who will relate to it.”

Listen to ‘Town & Country’ below and grab A Mineral Love when it drops on April 1st through Warp.

Bibio’s seventh album, A Mineral Love, arrives in April

Bibio - A Mineral Love

Bibio teased a new album due out in Spring 2016 with a beautiful new song called ‘Petals’ last November. Now he’s finally letting the cat out of the bag. Comes April 1st, A Mineral Love, his seventh album, will see the light of day via Warp Records. As is usual with his new releases, Stephen Wilkinson aka Bibio wrote a few words about A Mineral Love.

“This album celebrates the sacred and precious struggles of human insecurities through many windows of familiar musical forms. It’s also a celebration of my love of the craft of record making, drawing influences from many sources across all decades from the late sixties to the present. All these referential forms have a twist, some are more full on cocktails.

The album as a whole is an unashamed expression of my fondness of, and need for, variety. The juxtapositions between tracks are well considered and I’m comfortable with them – this is how I enjoy music. This is not a purist record, it is not trying to authentically recreate a specific time or genre but rather use familiar forms as a common language to communicate new ideas and new messages. I want to sing about struggle and tragedy with warmth, sympathy and respect. I want sadness to have bittersweet hope.

The whole album was made from scratch with no samples from other records. I partly want it to sound like sampled records but by crafting every single detail myself and colouring it to have familiar textures that resonates people’s forgotten memories. I enjoy the challenge of writing songs that reference the unique qualities and colours of music from different eras. It’s all guesswork though, I have no real reliable knowledge of why certain records sound the way they do, I taught myself how to play instruments, write music and produce. This album is my personal, filtered take on those forms and qualities. Some tracks are influenced by records I listen to often and some from ghosts of memories of things I heard while growing up, like 70s/80s American TV themes or 90s dance. Sometimes a filtered and tinted memory of a period is a more exciting source of inspiration than close study and mimicry.

I feel this album is built more from those memories and an exposure to music of many styles rather than close analytical study of any particular one. I think that’s why it all sounds like me, regardless of the deliberate references and nods to artists and records of the past. It is after all just a view through my stained-glass telescope.”

Bibio is enticing us even more with ‘Feeling’, the soulful and groovy new single off the album. We are feeling it! Are you?