Tag Archives: Daniel Thorne

Mixtape #119

02 October 2020


One of the most extraordinary contemporary musicians out there, the staggeringly talented Austrian percussionist and composer Manu Delago got us under his spell a while back. So much so that his two previous beguiling studio albums, Circadian and Parasol Peak, both made it to our Album Picks of the Year. Highly in demand, he has garnered wide acclaim in recent years performing and recording with an impressive list of artists, including Anoushka Shankar, Björk, Poppy Ackroyd, the London Symphony Orchestra, and many others. A pioneer of the handpan, Delago‘s technical ability and creativity knows no bounds. So we’re over the moon to have him curating this month’s mixtape with an utterly sublime selection of tracks.

  1. Daniel Thorne – From Inside, Looking Out [Erased Tapes]
  2. Colin Stetson & Sarah Neufeld – Never Were the Way She Was [Constellation]
  3. Douglas Dare – Wherever You Are [Erased Tapes]
  4. Khushi – From Me [Warner Records]
  5. KÁRYYN – Ever [Mute]
  6. 5K HD – 10/15 [fiveK Records]
  7. S. Carey – Rose Petals [Jagjaguwar]
  8. Sufjan Stevens – Fourth of July [Asthmatic Kitty]
  9. Soap&Skin – Italy [PIAS]
  10. Pablo Nouvelle feat. Norma Jean Martine – We Ain’t Dead Yet [Bakara Music / Armada]
  11. The Cinematic Orchestra – Time & Space [Ninja Tune / Domino]
  12. Nirvana – Where Did You Sleep Last Night [Blue Moon Records]

Debut album from Immix Ensemble’s Daniel Thorne on the way

29 January 2019

Australian-born, Liverpool-based composer and saxophonist Daniel Thorne has been part of Erased Tapes for a while, releasing under his project Immix Ensemble. March 15th will see him release his debut album, Lines Of Sight, under his own name. Thorne had this to say about the record:

“Thematically, this music was inspired by birds-eye aerial images and the idea of perspective – how something incredibly complex like a river or the surface of the ocean is reduced to a simple line or shape when viewed from the heavens. The line between natural and man-made becomes increasingly blurred.

I’ve long been a fan of studio-based composition, but have always found the infinite possibilities on offer daunting and, often, a stumbling block. To get around this I set myself a challenge of limiting myself to the physical instruments in my possession – a few different saxophones and a bass synth, with no more than four tracks to record them.”

Ahead of the album´s release, Thorne has shared the powerful  and gorgeous opening track ‘From Inside, Looking Out’. Take a listen now.