{"id":17245,"date":"2021-03-09T11:44:22","date_gmt":"2021-03-09T11:44:22","guid":{"rendered":"http:\/\/castthedice.org\/?p=17245"},"modified":"2021-03-09T19:09:38","modified_gmt":"2021-03-09T19:09:38","slug":"masayoshi-fujita-details-new-album-release-bird-ambience-and-shares-first-single-thunder","status":"publish","type":"post","link":"https:\/\/castthedice.org\/?p=17245","title":{"rendered":"Masayoshi Fujita details new album release, <em>Bird Ambience<\/em>, and shares first single &#8216;Thunder&#8217;"},"content":{"rendered":"<div id=\"attachment_17246\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-17246\" class=\"size-full wp-image-17246\" src=\"https:\/\/castthedice.org\/wordpress\/wp-content\/uploads\/Masayoshi-Fujita.jpg\" alt=\"\" width=\"700\" height=\"467\" srcset=\"https:\/\/castthedice.org\/wordpress\/wp-content\/uploads\/Masayoshi-Fujita.jpg 700w, https:\/\/castthedice.org\/wordpress\/wp-content\/uploads\/Masayoshi-Fujita-300x200.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-17246\" class=\"wp-caption-text\">Photo: \u00d6zge C\u00f6ne<\/p><\/div>\n<p style=\"text-align: justify;\">There&#8217;s a new album on the way from Japanese master vibraphonist, multi-percussionist, and composer <a href=\"https:\/\/masayoshifujita.com\/\" target=\"_blank\" rel=\"noopener\">Masayoshi Fujita<\/a>. Entitled <em>Bird Ambience<\/em>, it follows his 2018&#8217;s <em>Book Of Life<\/em>. Drawing from influences he&#8217;d kept separate until now, his acoustic solo recordings, the electronic dub releases under his El Fog moniker, and his experimental improvisations, <em>Bird Ambience<\/em> sees Fujita embrace a new sonic direction. Unlike previous works where the vibraphone was the signature instrument, on his upcoming album the marimba takes centre stage alongside drums, percussion, synths, effects and tape recorder.<\/p>\n<p style=\"text-align: justify;\">\u201cThe way of playing the marimba is similar to the vibraphone, so it was kind of a natural development for me and easier to start with, yet it sounds very different\u201d, Fujita explained. \u201cThe marimba bars are made with wood and it has a wider range than the vibraphone, which gives me a bigger sound palette with more possibilities. I play the instrument with bows and mallets, and sometimes manipulate it with effects.\u201d<\/p>\n<p style=\"text-align: justify;\">Fujita also commented on his approach to improvisation:<\/p>\n<blockquote>\n<p style=\"text-align: left;\">\u201cI prioritised trying to capture the wonder which happens during those occasional magic improv moments. Sometimes the mic-ing and placement of instruments was pretty rough; things weren\u2019t perfect and everything was done quickly, but it turned out as the final recording. Overall when I couldn\u2019t decide between two takes, I told myself to go with the first.\u201d<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\"><em>Bird Ambience<\/em> arrives on May 28th through <a href=\"https:\/\/www.erasedtapes.com\/\" target=\"_blank\" rel=\"noopener\">Erased Tapes<\/a> and we can already hear the gorgeous and delicate lead single &#8216;Thunder&#8217;. The track was inspired by Anna Akhmatova&#8217;s poem <em>You Will Hear Thunder<\/em>. The single comes with a fittingly stunning video directed and shot by Ryo Noda in the mountains near Hyogo where Fujita now lives.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/IvqjqrDRALs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>There&#8217;s a new album on the way from Japanese master vibraphonist, multi-percussionist, and composer Masayoshi Fujita. Entitled Bird Ambience, it follows his 2018&#8217;s Book Of Life. Drawing from influences he&#8217;d kept separate until now, his acoustic solo recordings, the electronic dub releases under his El Fog moniker, and his experimental improvisations, Bird Ambience sees Fujita [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":17246,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[1296],"class_list":["post-17245","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","tag-masayoshi-fujita"],"acf":[],"_links":{"self":[{"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/posts\/17245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/castthedice.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17245"}],"version-history":[{"count":5,"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/posts\/17245\/revisions"}],"predecessor-version":[{"id":17251,"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/posts\/17245\/revisions\/17251"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/media\/17246"}],"wp:attachment":[{"href":"https:\/\/castthedice.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/castthedice.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/castthedice.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}