{"id":22801,"date":"2025-05-29T12:51:50","date_gmt":"2025-05-29T11:51:50","guid":{"rendered":"https:\/\/castthedice.org\/?p=22801"},"modified":"2025-05-29T12:51:50","modified_gmt":"2025-05-29T11:51:50","slug":"lucrecia-dalt-announces-new-album-a-danger-to-ourselves","status":"publish","type":"post","link":"https:\/\/castthedice.org\/?p=22801","title":{"rendered":"Lucrecia Dalt announces new album, <em>A Danger to Ourselves<\/em>"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-22804\" src=\"https:\/\/castthedice.org\/wordpress\/wp-content\/uploads\/Lucrecia-Dalt-divina.jpg\" alt=\"\" width=\"700\" height=\"367\" \/><\/p>\n<p style=\"text-align: justify;\">Following her magnificent 2022 sci-fi bolero album <em>\u00a1Ay!<\/em>, which was one of our <a href=\"https:\/\/castthedice.org\/?p=19656\">Albums Picks of the Year<\/a>, <a href=\"https:\/\/lucreciadalt.tumblr.com\/\" target=\"_blank\" rel=\"noopener\">Lucrecia Dalt<\/a> is back with <em>A Danger to Ourselves<\/em>, her ninth solo album and perhaps her most emotionally open work to date. Out on September 5th through <a href=\"https:\/\/igetrvng.com\/\" target=\"_blank\" rel=\"noopener\">RVNG Intl<\/a>, the new record finds the Berlin-based, Colombia-born composer and sound artist shedding the fictional and fantastical narratives of past works to chart a more intimate sphere, delving into the uncertain territory where love, longing, and vulnerability meet. \u201cIn the past, I often turned to movies and texts as mirrors to shape my stories, guiding me away from revealing too much from within, inventing isolated fictions,\u201d she explains. \u201cThis time, I wanted to create music that flows cinematically and sets a landscape to tell a love story that flirts with improbability, the miraculous and the mysterious.\u201d<\/p>\n<p style=\"text-align: justify;\">Written during and after touring <em>\u00a1Ay!<\/em>, and shaped in the early days of a new relationship, the upcoming <em>A Danger to Ourselves<\/em> is a deeply personal reflection. To bring the record to life, Dalt enlisted the help of a remarkable cast of collaborators, including Juana Molina, Camille Mandoki, and Eliana Joy, alongside musicians Cyrus Campbell and Chris Jonas, and most notably the legendary David Sylvian, who joins as co-producer and guitarist.<\/p>\n<p style=\"text-align: justify;\">Ahead of the album&#8217;s release, Dalt is enticing us with first single &#8216;divina&#8217;, a glimmering reverie of piano, guitar, finger snaps and cascading rhythm, sung in both Spanish and English. &#8216;divina&#8217; emerged from \u201cspending enough time in the abyssal realm of erotic delirium&#8221;, as she describes. \u201cFor me, the lyrics function as declarations, or odes\u2014like those of Sharon Olds\u2014and the most personal truths I have explored to date are found within those lines.\u201d The single is offered with a beautifully strange accompanying video, directed by Tony Lowe and conceptualized by Dalt, featuring Dalt alongside multidisciplinary artist Lucia Maher-Tatar. It takes inspiration from the words of Sufi mystic Rumi: \u201cLove is a mirror\u2026 you see nothing except your real face.\u201d Watch the video below and mark your calendars for September.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/r23tegbbCDw?si=K_Ec5NDUJYR16DGz\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Following her magnificent 2022 sci-fi bolero album \u00a1Ay!, which was one of our Albums Picks of the Year, Lucrecia Dalt is back with A Danger to Ourselves, her ninth solo album and perhaps her most emotionally open work to date. Out on September 5th through RVNG Intl, the new record finds the Berlin-based, Colombia-born composer [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":22804,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[1461],"class_list":["post-22801","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","tag-lucrecia-dalt"],"acf":[],"_links":{"self":[{"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/posts\/22801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/castthedice.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22801"}],"version-history":[{"count":4,"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/posts\/22801\/revisions"}],"predecessor-version":[{"id":22806,"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/posts\/22801\/revisions\/22806"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/media\/22804"}],"wp:attachment":[{"href":"https:\/\/castthedice.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/castthedice.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/castthedice.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}