{"id":9585,"date":"2015-08-25T15:35:26","date_gmt":"2015-08-25T14:35:26","guid":{"rendered":"http:\/\/castthedice.org\/?p=9585"},"modified":"2015-08-25T15:35:26","modified_gmt":"2015-08-25T14:35:26","slug":"normil-hawaiians-30-year-old-unreleased-album-return-of-the-ranters-to-be-issued-this-autumn","status":"publish","type":"post","link":"https:\/\/castthedice.org\/?p=9585","title":{"rendered":"Normil Hawaiians&#8217; 30-year old unreleased album <em>Return of the Ranters<\/em> to be issued this Autumn"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-9597\" src=\"https:\/\/castthedice.org\/wordpress\/wp-content\/uploads\/Normil-Hawaiians-Sianne-Dont-Work-In-A-Factory-300x300.jpg\" alt=\"Normil Hawaiians - Sianne Don't Work In A Factory\" width=\"300\" height=\"300\" srcset=\"https:\/\/castthedice.org\/wordpress\/wp-content\/uploads\/Normil-Hawaiians-Sianne-Dont-Work-In-A-Factory-300x300.jpg 300w, https:\/\/castthedice.org\/wordpress\/wp-content\/uploads\/Normil-Hawaiians-Sianne-Dont-Work-In-A-Factory-100x100.jpg 100w, https:\/\/castthedice.org\/wordpress\/wp-content\/uploads\/Normil-Hawaiians-Sianne-Dont-Work-In-A-Factory.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: justify;\">Formed in the early 80&#8217;s, <a href=\"http:\/\/normilhawaiians.com\/\" target=\"_blank\">Normil Hawaiians<\/a> were a South London collective with an aesthetic informed by the social, economic and political context of the time. With an ever-changing line-up, Normil Hawaiians responded to and reflected on the state of the society then, under the harsh Thatcher government policies. With a couple of album releases under their belt, 1982&#8217;s More Wealth Than Money and 1984&#8217;s What&#8217;s Going On, the band went on to write and record a third album in the winter of 1985\/86 called <em>Return of the Ranters<\/em>. Guy Smith, Simon Marchant, Alun &#8216;Wilf&#8217; Williams, Noel Blanden and Jimmy Miller, who made up Normil Hawaiians at this time, had to go separate ways before the album ever got released. Thirty years on, <em>Return of the Ranters<\/em> is finally coming out. The project got the attention of <a href=\"http:\/\/www.upsettherhythm.co.uk\/\" target=\"_blank\">Upset The Rhythm<\/a>, who scoured the vaults for the original tapes to be remastered and will release the record for the first time on October 23rd. The effort is described as &#8220;lucid, candid, politically engaged, rarely metronomic but always humane, tired but still fighting&#8221;.<br \/>\nTo celebrate the long-awaited release, Normil Hawaiians are reuniting for a one-off show at the <a href=\"http:\/\/www.thelexington.co.uk\/event?id=3230\" target=\"_blank\">Lexington<\/a> in London on October 24th.<br \/>\nHere&#8217;s a great taste of what&#8217;s to come, the album&#8217;s opening track, &#8216;Sianne Don\u2019t Work In A Factory\u2019.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/211930385&amp;color=c41709&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><br \/>\nIn other related good news, Upset The Rhythm are also working on reissuing Normil Hawaiians&#8217;s debut album <em>More Wealth Than Money<\/em> and its follow-up <em>What&#8217;s Going On<\/em>. These reissues will be paired with liner notes, bonus tracks, rehearsal takes, rarities and singles. We&#8217;ll keep an eye out for updates on this.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Formed in the early 80&#8217;s, Normil Hawaiians were a South London collective with an aesthetic informed by the social, economic and political context of the time. With an ever-changing line-up, Normil Hawaiians responded to and reflected on the state of the society then, under the harsh Thatcher government policies. With a couple of album releases [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9597,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[1308],"class_list":["post-9585","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","tag-normil-hawaiians"],"acf":[],"_links":{"self":[{"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/posts\/9585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/castthedice.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9585"}],"version-history":[{"count":12,"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/posts\/9585\/revisions"}],"predecessor-version":[{"id":9605,"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/posts\/9585\/revisions\/9605"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/castthedice.org\/index.php?rest_route=\/wp\/v2\/media\/9597"}],"wp:attachment":[{"href":"https:\/\/castthedice.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/castthedice.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/castthedice.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}