Mixtape #120


Ingenious Brooklyn based drummer and composer Matt Evans is known for his collaborations and contributions to many musical projects including Tigue, Bearthoven, Man Forever and Private Elevators, amongst others. Versatile and daring, one of his most recent ventures resulted in his debut solo album, New Topographics, a bewitching and wholly mesmerizing collection of rhythmic percussion/electronic pieces. With a new record in the works, we’re ecstatic Evans has found the time to put together this month's heavenly mixtape. In his own words:

“it's a pretty mellow mix of tender tones surrounding longing, life and loss — I'm currently finishing a record that's a lot more textural and spacious than my last and i'd say this mix is more representative of the music i'm currently working on than the tunes i released earlier this year”

  1. Glass Salt – What Would You Say [Greetings / Whatever’s Clever] 00:00
  2. Lyra Pramuk – Mirror [Fountain / Bedroom Community] 04:10
  3. Robert Aiki Aubrey Lowe – arbadacarbA, gniviL ertaehT [The Vanishing Earth / Self-Release] 07:10
  4. Kate NV – Tea (Full Cup Version) [Room for the Moon / RVNG] 10:50
  5. Ben Seretan – Shotgun a Cigarette in an Empty Strip Mall Parking Lot [My Life’s Work / Whatever’s Clever] 14:15
  6. Amirtha Kidambi and Lea Bertucci – False Profits [End of Softness / Astral Spirits] 19:10
  7. Anthony Vine w/ Dave Lackner – Duo [Remnants / GALTTA] 20:55
  8. Forest Management – Conversations and Colors [Delicate / Self-Release] 28:40
  9. Beverly-Glenn Copeland – Sunset Village [Keyboard Fantasies / Self-Release] 34:30
  10. Moor Mother – Forever Industries B [Forever Industries / Sub-Pop] 41:30
  11. Ka Baird – Pulse [Respires / RVNG] 44:15
  12. Adrian Knight – Border Fence [Time Of My Life / Pink Pamphlet] 47:00
  13. Sarah Davachi – A Garden, An Orchard [Dominions / Late Music] 51:10
  14. OHYUNG – now i close my eyes the world i see is so beautiful [Protector / Chinabot] 57:40

Matt Evans shares new single ‘Spinning Blossoms’, debut album out this Friday

This Friday will see the release of Matt Evans‘s debut album, New Topographics, a bewitching collection of rhythmic percussion/electronic pieces stemming from a month-long residency at Brooklyn artist space Pioneer Works. After sharing ‘Cold Moon’ and ‘Full Squid’, the Brooklyn based drummer and composer is enticing us again with a new single from the album called ‘Spinning Blossoms’. The track is being offered with an accompanying video directed by Soop Groop aka Vanessa Castro, Dara Hirsch, Melodie Stancato, and Matt Evans. Castro had this to say about it:

“In the video for Spinning Blossoms, Matt, who scored this song and video, performs the various percussive and melodic loops that steady the rhythm of the song, while simultaneously falling out of sync with the actual performance of sound. Mel, the video’s choreographer, performs in another form of abyss, an empty office supply warehouse overflowing with detritus of corporate America.

To me the challenge for this video was: how can an ‘object’ of performance be both repetitive and improvised in both sound and movement? How can singular experiences happening in different times and places create a simulation of linear time? Matt composed Spinning Blossoms with self-made, sample-based, loops based on an internal rhythm that Matt himself created. I decided to follow that same framework.”

Watch the video below and grab New Topographics when it’s out on April 17th thought Whatever’s Clever.

Matt Evans shares a new track taken from his incoming album New Topographics

Based out of Brooklyn, drummer and composer Matt Evans has collaborated and contributed to innumerable musical projects in numerous directions, including Tigue, Bearthoven, Man Forever and Private Elevators, as well as honing in on his own solo work. This April will see him release his debut record, New Topographics, a bewitching collection of rhythmic percussion/electronic pieces stemming from a month-long residency at Brooklyn artist space Pioneer Works. Read on for some insight from Evans about it:

“For me, there’s a link between these sonic byproducts and human empathy— a gateway towards a greater conversation on what it means to live the paradox of complicitness— a guide to re-focusing how we understand the consequences of our actions by way of sound. The first step toward any significant change in our behaviour is becoming aware of the object like significance of our actions. Making this record has been a way of tuning my ears to this phenomenon. To learn the language of these object-like byproducts so as to speak the language my own way and further empathize with that which I was not previously informed. Being aware, being sensitive to that awareness, and reflecting that experience outwards. This is how we can make a shift in how we see ourselves in the world. Making this music was a way to practice understanding what I leave behind. We put up walls to function, but if we make a habit of taking them down and really looking and listening to what’s happening around us, we will have greater empathy for the people and beings we share space with. Our ability to empathize with the earth itself will grow.”

Following the release of first single ‘Cold Moon’, Evans has recently shared the celestial and soothing opening track ‘Full Squid’, remarking that “the title refers to a state of being more than the cephalopod itself, a zoomorphic phrase for the experience of drumming at the precipice of presentness”. He continues, “’Full Squid’ was born from a kind of personal meditation, a “spiritual” performance practice that attempts to bend a typical sense of time through stream-of-consciousness playing pushed to the brink. It’s a drummy dive into a sound stream of crackling creatures, wiggly drones and globby ink-splatter harmonies, without coming up for air.”

Slated for an April 17th release through Whatever’s Clever, New Topographics awaits you. Prick up your ears and give a listen to both singles below.