Sarah Neufeld, Richard Reed Parry and Rebecca Foon team up for debut collaborative album, First Sounds

Photo: Steven Sebring

There’s wonderful news from three of Montreal’s finest musicians – boundlessly inventive composer and violinist Sarah Neufeld, incredible multi-instrumentalist and musical polymath Richard Reed Parry and enchanting and brilliant cellist and composer Rebecca Foon -, who have teamed up for a collaborative album. Longtime favourites here at CTD, the pairing of these three artists is a match made in heaven. Neufeld, Parry and Foon first met in Montreal in the late 90’s and played together then in various outfits as they found their way into the local artistic scene. They have today announced the release of their debut album, First Sounds, slated for a November 1st release through Envision Records in North America and One Little Independent in the UK and the rest of the world. Featuring nine compositions, “with dynamic minimalism, sweeping crescendos and rich harmonies”, as the press release describes, they delved deep into the cinematic realm, exploring and drawing from classical and orchestral influences.

Parry shared some insight into their collaboration:

“In Montreal, October 1999, the three of us played music with each other for the first time. As we began to improvise together, we felt a shared, wordless musical language emerge right away, somehow intuitive and familiar from the very start.

We experimented and played together often at that time – Montreal was and still is a very creative and multi-faceted artistic hive of activity. The musical chemistry we found together was formative in each of the bands we went on to form and musical collaborations we pursued, but we never made a recording of our original trio and its unique, intimate and explorative sound.

Decades of friendship and many bands later, in the heart of the first pandemic winter the three of us got together in a room and made our first album as an ensemble. Picking up exactly where we left off years earlier, we began fashioning compositions that immediately tapped into the same musical language we had discovered between us so many years earlier.”

Alongside the album news, the trio unveiled the first single, ‘Maria’, an utterly engrossing, otherworldly and beautiful track featuring Shahzad Ismaily on percussion. Of the track, Parry said:

“The melody was inspired by an old handmade recording on reel-to-reel tape that came with a tape recorder I bought, it had very slowed down/half speed voices singing hymns on it, but the recording was so slow and distorted you couldn’t really tell what they were singing. So, the tune sort of felt like a hymn-like invocation.”

‘Maria’ comes with an accompanying video directed by Jason Last, who had this to say about it:

“Recording and observing nature in Catalonia, Spain, I wanted to capture the cyclical and intricate nature of the sound through elements of light, touch, and the movement of my own body as I shot for each 5-minute take. Connecting my body and the subjects that I shot.”

Watch the video below.

Paradise Cinema to release second album, returning, dream, in September; listen to lead single ‘a morning in the near future’

Photo: Suzie Howell

Back in 2020, multi-instrumentalist Jack Wyllie (Portico Quartet/Szun Waves) unleashed his new collaborative project, Paradise Cinema, and a self-titled debut album. Four years on, a new Paradise Cinema album will be released with contributions from Khadim Mbaye, Tons Sambe and Laurence Pike. Entitled returning, dream, the album is influenced by the likes Jon Hassell, Terry Riley, Don Cherry and Midori Takada, also tappig into contemporary electronic, ambient and non-western music and is also inspired by physics and science fiction. About the album, Wyllie comments:

“It is an imagining of what music could be like in a different time and space, ancient and futuristic from everywhere and nowhere at once. I was listening to a lot of physics podcasts when I created this record. I loved the many-worlds interpretation of quantum mechanics; about multiple worlds splitting off like branches on a tree when faced with quantum choices. I could imagine different histories and worlds and multiple versions of myself, others and even other societies existing. In this album I’ve dug into these ideas and attempted to make music that would come from those different spaces, trying to poke my finger through to the other selves and stories. Effectively a form of composed science fiction, the music is an idea of what might be occurring or have occurred on a branch of the tree in a very different world. But I like to think the tracks might actually have been composed somewhere or sometime.”

returning, dream is out on September 13th through Gondwana Records and Paradise Cinema are enticing us with the gorgeous, celestial and serene opening track, ‘a morning in the near future’,  featuring Jack Wyllie on flute, synths and drum machines with Tons Sambe on Tama drums. Take a listen below.

Fellas preview debut EP, ‘NDONTI, with new single ‘Sillage’

Hailing from Toulouse, Fellas is a five-piece Nu Jazz outfit flawlessly blending contemporary jazz, Hip-Hop, and Italian-American cinema influences to create something altogether fresh, vibrant and with an undeniable groove throughout. Piloted by saxophonist Charlie Burg, the quintet was formed in 2022 and also comprises Robin Espagnet (guitar),  Leo Colman (piano, synths), Seraphin Vergniot (bass) and Robin Safaru (drums).

Fellas are gearing up to release their debut EP, ‘NDONTI, on August 9th through DeepMatter Records and this week they’ve offered a glimpse at what to expect with new single ‘Sillage’. The track “situates listeners within the frames of Sergio Leone’s crime epic ‘Once Upon A Time In America’”, as the press release describes, “seeking to capture the odour of the films opium dens in hazy musical form”. Listen to it below.

Listen to Ali Dada’s second single ‘federici’

Last month, Swiss trio Ali Dada announced the release of their new album, SUM, and shared the groovy lead single ‘tone print’. Ahead of the album’s release on September 15th through DIY label YNFND, they are teasing the record again with new single ‘federici’, named after feminist activist, writer and political theorist Silvia Federici. Take a listen now.

Asher Gamedze announces new LP, Constitution, with his new 10-piece ensemble The Black Lungs

Photo: Lungiswa Gqunta

We first fell under Asher Gamedze‘s spell when he released his debut album, Dialectic Soul, in 2020. He followed it up with Turbulence and Pulse last year, both absolute masterpieces that made it to our Album Picks of the Year, and remain huge favourites today. So we’re over the moon to know that the visionary and virtuosic South African drummer, composer, writer and activist is gifting the world with new music. Gamedze announced today the release of Constitution, an album he brought to life with his new 10-piece ensemble The Black Lungs, featuring Ru Slayen (percussion), Sean Sanby (bass), Nobuhle Ashanti (piano),  Tumi Pheko (cornet), Garth Erasmus (alto saxophone), Jed Petersen (tenor saxophone), Tina Mene (vocals), Athi Ngcaba (trombone) and Fred Moten (words). Collectively they “explore and deconstruct the conceptual, tonal and atonal possibilities of themes which are at once of old and new dreams”, as the press release describes. Gamedze offers some context:

“The Black Lungs is inspired by the revolutionary thought and practice of the Black Consciousness Movement. In particular, the relationship between antagonism – constituting a united front of all the oppressed against white supremacy and racial capitalism – and the possibilities for resistance and elaboration – the creative militant capacities of those assembled – enabled and unleashed by that process of constitution.”

Constitution will see the light of day on August 30th through International Anthem. Ahead of it he has shared the extraordinarily powerful and striking album opener ‘Find Each Other’ and it’s after your ears.

Meridian Brothers’s new album, Mi Latinoam​é​rica Sufre, out now

Meridian Brothers, the project of adventurous composer, multi-instrumentalist and electronics geek Eblis Álvarez, released yesterday a brand new album. Entitled Mi Latinoam​é​rica Sufre, it sees Álvarez journey beyond Colombian and Latin American musical traditions and tap into African highlife and soukous traditions. As the press release describes, “the result is a collection of intricate compositions weaving elements of cumbia, champeta, soukous, Brazilian tropicalia, and underground psychedelic rock within the Afro-Latino guitar band format”.

Keeping the usual Meridian Brothers’ humorous tone, Mi Latinoamérica Sufre is a concept album, exploring themes of self-discovery and identity. Enhanced with visual narratives from Colombian artist Mateo Rivano, the album portrays psychological states of disorientation, self-pity, enlightenment, and optimism.

For a taster of what’s on offer, check out a couple of tracks from the album, ‘Mandala’ and ‘Sé que estoy cambiando’. Both tracks are offered with video accompaniments, the latter directed by Álvarez and ‘Mandala’ directed by Mateo Rudas & Santiago Rudas.


Mi Latinoam​é​rica Sufre is out now through Ansonia Records and Bongo Joe.