Maryam Saleh returns with new album Syrr سِرّ

Nearly eight years on from the release of her last album, singer-songwriter Maryam Saleh, who is one of most authentic and beloved voices in Egyptian music, is back with a new album. Entitled Syrr سِرّ, which means “secret” in Arabic, the record is set to be released on March 27th through Simsara Records. After a long break, Saleh has crafted an album that explores themes of memory, loss, and transformation. Syrr سِرّ is influenced by Egyptian and Arabic song forms, including the mawwal, lullaby, madih, muwashshah, and taqtuqa, and it was co-produced by Saleh, Maurice Louca, and Kamilya Jubran, following three years of songwriting, composition, and collaboration with Kamilya Jubran as mentor. Saleh describes the process of writing the album as a way to understand herself and the world around her:

“Writing, for me, was not merely inscription, but a way toward understanding. A search for a private pulse that could hold feeling before it dissolves into noise. Loss began as the first crack, then became a current of energy, and finally an echo that runs between the words— balancing what is spontaneous with what is deliberately remade. Three years of listening, returning, revising, breaking open the text and re-forming it until it revealed itself more clearly.”

Saleh has unveiled the album’s first single, ‘El Fetra الفطرة’, an introspective, powerful and poignant track where traditional Egyptian music forms like the taqtuqa are reimagined with “contemporary production aesthetics and instrumentation”. The single was written and composed by Saleh herself, with keys by Maurice Louca, cello by Zizi Ibrahim, drums by Dylan Hunter Chee Greene and and percussion by Joss Turnbull. Here it is.

Listen to Benjamin Herman’s new single ‘Sugii’

Get ready for the absolute bang that is ‘Sugii’, the new single from Dutch alto sax virtuoso Benjamin Herman, that pays homage to the legendary Japanese composer, accordionist, bandleader and jazz pioneer Koichi Sugii. A daring track, oozing energy and groove, ‘Sugii’ blends the raw and underground energy of Tokyo’s jazz scene with futuristic sounds. Recorded in Tokyo’s legendary Studio Dede last April, ‘Sugii’ is the first taste of The Tokyo Sessions, Herman’s forthcoming album, set for release in March 2026 through P-Vine Records (Japan) and Roach Records / Dox Records. Whilst we wait for more details to emerge, here’s ‘Sugii’. Play it loud!

St. Barbe announce Shoal EP; share new single ‘Pinch’ (feat. corto.alto)

If, like us, you haven’t heard of St. Barbe yet, now is the perfect time to get acquainted. Hailing from London, St. Barbe first came together in 2021, and since then, they’ve been making waves with their genre-bending approach to contemporary jazz. The trio draws from a wide array of influences, from jazz and punk to math rock, hip-hop, and electronica, and the result is something that feels fresh and exciting.

St. Barbe have announced the release of a new EP, Shoal, set to arrive on February 18th through Bridge the Gap. A self-produced effort, the forthcoming EP reflects the band’s evolution and as the press release describes, it “showcases a considered approach, balancing rhythmic complexity with melodic intent”.

Alongside the EP announcement, St. Barbe have just dropped ‘Pinch’, a raucous, effervescent and infectious track featuring Glaswegian prodigious multi-instrumentalist, composer and producer corto.alto. Take a listen below.

Danalogue drops debut solo single ‘Sonic Hypnosis’

Photo: Fabrice Bourgelle

As one of the driving forces behind bands like The Comet Is Coming, Soccer96 and Flock, Danalogue aka Dan Leavers has spent years shaping the UK’s music scene. A core member of East London’s legendary Total Refreshment Centre, he is a trailblazing synthesist, collaborator, and producer-in-demand, who has worked with an array of exciting artists, including Sarathy Korwar, Snapped Ankles, Alabaster DePlume and Rozi Plain, to mention but a few. Now Danalogue is stepping out on his own with his debut solo single, ‘Sonic Hypnosis’. Described as “an electronic mantra for a positive state of change”, the single was “written amidst tumultuous times”. ‘Sonic Hypnosis’ is both a dancefloor dream and a call for healing, wrapped up in a catchy and hypnotic chant. The track is accompanied by a video, created by Innerstrings, the artist behind visuals for the likes of Overmono and James Holden. What’s more, Danalogue has also teased a full-length album, and we’ll keep our eyes peeled for more leading up to its May release. Now check out the banger that is ‘Sonic Hypnosis’.


Asher Gamedze set to release new album, A Semblance: Of Return, in February

Photo: Leila Khan

We’ve been following Asher Gamedze’s musical journey for a while now, and each new release has only deepened our huge admiration for his work. Both his 2020 debut album Dialectic Soul, and his 2022’s Turbulence and Pulse landed on our Album Picks of the Year. A visionary and virtuosic drummer, composer, and activist, Gamedze’s musical world is one of endless innovation and an unyielding commitment to freedom, both in sound and spirit. So news of a new album from him fills us with excitement. Gamedze is gearing up to release his latest LP, A Semblance: Of Return, set to drop on February 27th through Northern Spy Records. To bring the album to life, Gamedze has assembled a new band, called A Semblance, featuring a group of longtime collaborators, to explore what he describes as “practices of assembly”, musical explorations that centre the coming together of individuals to create something larger than the sum of its parts. The ensemble includes Ru Slayen (percussion), Nobuhle Ashanti (keys & synth), Zwide Ndwandwe (bass), and Keegan Steenkamp (trumpet), with Gamedze on drums. Rooted in Pan-Africanism and Black Consciousness, as the press release describes, the album draws from the political and sonic legacies of Cape Town’s underground scene while extending outward, creating sonic bridges that extend beyond geographic and political borders. If past albums were “statements of direction”, the forthcoming A Semblance: Of Return is “a gathering place”, where different ideas, sounds, and struggles meet.

Ahead of the album’s release, Gamedze has shared the staggering and sublime ‘Following Up’, which serves as the first taste from the musical magic Gamedze and his ensemble have in store for us. The track’s title, according to Gamedze, hints at “coterminous existence of multiple intersecting dead lines”, a statement that teases the thematic depth of the album, questioning the intersections of time, place, and collective struggle. Take a listen below.

Ocenpsiea’s fourth album, Ensaio Sobre a Surdez, out now

Back in October, Ocenpsiea enticed us with the blissful and exhilarating ‘Noite Acústica’. The single landed as an intriguing one-off, but it turned out to be a hint, pointing towards something bigger. Last Friday, the Braga-based outfit released their fourth album, Ensaio Sobre a Surdez, an ambitious and thought-provoking effort weaving together a mesmerising tapestry of jazz, electronica, Portuguese folk, rock and hip-hop. Translating from Portuguese as “Essay on Deafness”, the new album  is described by the band as a reflection on contemporary society, and it also pays tribute to José Saramago, echoing the spirit of his novels Ensaio Sobre a Cegueira and Ensaio Sobre a Lucidez. João Vilaça (drums and electronics), Gonçalo Cravinho (electric and double bass), and João Ferreira (keyboards), who make up Ocenpsiea, composed the entire record, and invited a host of collaborators, including Bruno Pernadas on guitar, Ghais Guevara and Marlon on vocals, plus contributions from Lucas Oliveira on baritone and soprano sax, Francisca Ribeiro on violin,  Alessio Cunha on cello, Lucas Faria on flute, and Bárbara Ferreira on oboe. The result is a bold, exploratory and richly layered work, full of vibrancy and detail, showcasing a band unafraid to venture into new territory.

Ensaio Sobre a Surdez is now streaming on bandcamp, and for a taste of what’s on offer, listen to one of the album’s tracks, the thrilling and groovy ‘Subsistir’.