Watch Circuit des Yeux’s new video for ‘Falling Blonde’

We can’t put down Circuit des Yeux‘s Reaching For Indigo, a timeless favourite record that made it to our 15 Album Picks last year. Haley Fohr, the phenomenal and adventurous musician behind Circuit des Yeux, has unveiled its fourth single, ‘Falling Blonde’, and an accompanying video directed and starring New Zealand based video artist Veronica Crockford-Pound. Here it is.

In other wonderful related news, Circuit des Yeux will unleash an expanded eight-piece ensemble featuring members of the Netherlands Philharmonic Orchestra for a special one-off performance at Utrecht’s Le Guess Who? Festival this November. In addition to presenting an augmented version of Reaching For Indigo, Fohr’s performance will also include the first live rendition of previously unreleased music from the album’s sessions. With an initial spectacular line-up already in sight, and Circuit des Yeux as a huge highlight, we can’t wait for November to come.

Dirty Projectors unveil animated video for second single ‘That’s A Lifestyle’

With less than a month to go before the release of Dirty Projectors‘ new album, Lamp Lit Prose, and after teasing it with the stellar lead single, ‘Break-Thru’, David Longstreth and co have shared an extraordinary new song, ‘That’s A Lifestyle’. It comes with an accompanying video, directed and animated by Kitty Faingold. Watch it now.

Lamp Lit Prose is out on July 13th via Domino.

black midi release debut single ‘bmbmbm’

Photo: Jack Greeley-Ward

Explosive and enigmatic South London 4-piece black midi, made up of Geordie Greep (vocals/guitar), Cameron Picton (bass/vocals), Matt Kelvin (lead guitar) and Morgan Simpson (drums), have just released their debut single ‘bmbmbm’ via Speedy Wunderground‘s single series. A beast of a song, ‘bmbmbm’ marks their first physical release on limited 7” vinyl edition, and we can’t wait for more stuff like this to be sprung upon us. Take a listen now.

Nadah El Shazly shares animated video for ‘Mahmiya’

Nadah El Shazly has unveiled a video to accompany ‘Mahmiya’, the stunning and moving closing track from her debut solo album Ahwar, released last year. Egyptian artist Marwan El-Gamal, who had previously worked on Nadah’s album artwork, returns to create this befitting psychedelic tale of strange beauty. He explains how he developed the concept for the video:

“The idea for the animation came after internalising the soundscape and words of Nadah El Shazly’s ‘Mahmiya’. It had a sensibility that seemed soothing and warm – vital and at peace, yet vast and unconcerned, like a sea, long since dried and fossilised, wherein the listener is placed without bearings. This brought about a story, a character and landscape where time and location are not classified.

In this place there is a condition of symmetry between the inner world of the girl and the outer landscape. She morphs and changes through her surroundings, and through these interactions the world is animated and energised. The land evolves and vegetates and soars and crumbles. Things occur as they will, and force is not exerted, but rather the events unfold without effort.

Time becomes represented as fluctuating and dilating, and our girl breathes, plays, creates, grows, and becomes conclusively unrecognisable, then to be brought back to the beginning of a cycle.

There seems to be an indefiniteness to the events, and change is constant, and she plays her part with no concern to consequence. The girl may be an extension of the land, a force of creation, a mechanical machine, or a little girl vulnerable to this ambiguous place full of unfamiliar entities. Through this ambiguity I hope to provide a visual counterpart to Nadah El Shazly’s touching song.”

Watch the video for ‘Mahmiya’ below.


Ahwar is out now via Nawa Recordings.

Forma announce new album Semblance and share first single

Following 2016’s Physicalist, Forma are ready to take 2018 by storm with a new album called Semblance arriving on July 20th through Kranky. Like their previous record, which saw the Brooklyn trio bring in acoustic instruments for the first time, Semblance includes flute, piano, guitar, saxophone, acoustic drums and cymbals as well as synthesizers aplenty. On the new record, Forma continue to try to “broaden the idea of what an electronic music ensemble can sound like”. Said to be “inspired by polyrhythmic composition, the human voice, and conceptual improvisation strategies”, the upcoming album is also informed by members George and John Also Bennett’s recent experience in The Jon Gibson Ensemble, performing Gibbon’s 1973 minimalist masterpiece Visitations.

The album announcement comes with the first transcendent single ‘Three-Two’ and it’s after your ears.