The Notwist set to release new album Vertigo Days, share new single ‘Where You Find Me’

Photo: Johannes Maria Haslinger

The Notwist haven’t released an album since 2014’s Close To The Glass but this summer they’ve whet appetites with new music, first with a new EP called Ship, and more recently with a brand new song, ‘Oh Sweet Fire’, featuring guest vocals by Ben LaMar Gay, who also coined its lyrics. Now the iconic German indie band have announced a proper full-length album, Vertigo Days, set for release on January 29th through Morr Music. The core trio of Markus and Micha Acher and Cico Beck take a new step forward on the upcoming Vertigo Days, as the press release describes, “through its combination of melancholy pop, clangorous electronics, hypnotic Krautrock and driftwork ballads, to its international musical guests”.
Other than American multi-instrumentalist Ben LaMar Gay, The Notwist have also invited an impressive list of artists to contribute to the album, including Saya of Japanese pop duo Tenniscoats, American jazz clarinettist and composer Angel Bat Dawid, Argentinian electronica songwriter Juana Molina and Tokyo based brass band Zayaendo. “We wanted to question the concept of a band by adding other voices and ideas, other languages,” explained Markus, “and also question or blur the idea of national identity.”

Ahead of the album release, The Notwist have let loose another single, ‘Where You Find Me’. Take a listen below.

Natik Awayez releases debut album Manbarani

Photo: Maged Nader

Last Friday saw the digital release of Manbarani, the debut album from Iraq-born, Cairo-based lyricist, composer and oud player Natik Awayez. Slated for a Spring 2021 release in vinyl format through Sublime Frequencies, Manbarani is the fruit of a truly collaborative work. With the help of Maurice Louca, who produced and arranged the album, Awayez enlisted a cast of stellar musicians from the region, including Tamer Abu Ghazaleh and Maryam Saleh (Lekhfa), Aya Hemeda and Adham Zidan (The Invisible Hands), Khaled Yassine (Alif / Lekhfa / Anouar Brahem) and Ayman Asfour (Elephantine). He comments:

“Iraq is the source and Yemen the soul. As for Cairo, it has offered me snippets of time and a small abode. A handful of its most beautiful musicians and a lot of love. And so, Manbarani came to be.”

A devout work of two years, reflecting the overall themes of love, wars, longing and displacement, Manbarani had long been brewing in the mind of Awayez, “collecting nuance and fermenting with influences ushered by migration across cities and continents”. Awayez had already shared two spellbinding singles from the record, ‘Al Manafi’ and the title track, both offered with a video accompaniment. ‘Al Manafi”s video comes courtesy of Sara Abdallah and Hadeel Abdelkareem and the video for ‘Manbarani’ is by Mohamed Allam and Mena El Shazly.

Domenique Dumont’s soundtrack album, People on Sunday, out this month

We’re a couple of weeks away from the release of People on Sunday, the third album from Domenique Dumont. An original soundtrack to the 1930 German silent film also known as Menschen am Sonntag, Les Hommes le Dimanche and People On Sunday,  Domenique Dumont was invited to compose the score for a special screening and live performance at the Les Arcs Film Festival in the French Alps in December 2019. About the score Dumont comments:

“Working on this score strengthened my belief that the time we currently live in, although far from perfect, might be the best time to be alive. All the bells and whistles, all the advantages that we have the opportunity to enjoy in the 21st century, are things people couldn’t have dreamt of only a hundred years ago. At the same time, we haven’t yet transformed away from our sense of humanity. As absurd and optimistic as it may sound, we are living in a utopia compared it to what came before and, perhaps, what is to come. Somehow this movie made me think of the present more than the past.”

People on Sunday is set for release on November 13th through The Leaf Label and ahead of it we can hear two wonderful tracks, ‘Sunshine in 1929’ and the title track, the latter accompanied by a video featuring excerpts from the film.

Electric Jalaba release new single ‘Cubaili Ba’

Photo: Alexis Maryon

There’s a new record on the way from London based outfit Electric Jalaba, made up of Moroccan gnawa master Simo Lagnawi, brothers Henry, Oliver, Barnaby and Nathaniel Keen and Dave De Rose. Preceding the album, Electric Jalaba have shared a new single, ‘Cubaili Ba’, a dancefloor track that marks their first release for Strut Records. The single includes an extended version from Soundspecies and a dubby deconstruction from Max Graef, “harnessing the samples and re-moulding them into a pulsing, stripped back treatment”. The new album arrives in Spring 21 but we can already dance to ‘Cubaili Ba’. Here it is.

s t a r g a z e and Qasim Naqvi release new piece Inaugural Music

Inaugural Music is the fruit of a divine collaboration between Berlin-based experimental orchestra s t a r g a z e and extraordinary percussionist and composer Qasim Naqvi, who is also one-third of longtime favourite avant-jazz band Dawn Of Midi. Eerie and riveting, Inaugural Music was written as a response to the disturbances Donald Trump’s 2016 election victory gave rise to and was just released fittingly ahead of the US election next week. Naqvi offered some insight into the piece::

“Inaugural Music was originally commissioned by stargaze for the Musica Nova Festival in Helsinki. I wrote it during the time between Donald Trump’s election victory and his inauguration – roughly from November 15th of 2016 to January of 2017. This was a deeply troubling moment in our country and the anxiety and sadness was palpable. Many people felt the ground opening under their feet. We were afraid of what was to follow, which most definitely surpassed our wildest expectations at the time. During this transitional period between presidents, writing this piece was a way to assuage a lot of life and death type fears and anxieties that were bubbling to the surface. It was like therapy for me – a coping mechanism.

Another main pillar of this work is the electronics, which were made on a Moog Model D synthesizer. I was drawn to its subtractive properties- a type of synthesis that involves the removal of certain frequencies from a complex sound, through the use of filters. This, along with many other magical properties of the Model D, became the nucleus of the work and the subsequent material for stargaze was the outgrowth. It was a kind of intermingling between complex voltage-created vibrations and the analog of instruments- acoustic sounds generated through breath and string vibration.

The premiere in Helsinki happened on February 5th of 2017 and the recording was made the following year at the Muziekcentrum van de Omroep in Hilversum, Holland. We had access to Studio 2, which is the oldest radio studio room in the Netherlands. I can’t thank stargaze enough for commissioning this piece. At the time it was my first opportunity writing for them, and since then we’ve developed a wonderful, long-standing friendship and creative partnership.”

s t a r g a z e conductor André de Ridder also commented on the piece:

“We first noted Qasim’s music through a release of his chamber work Preamble, which we wanted to perform and managed to program quite a few times. We had met when stargaze and Qasim’s band Dawn of Midi both played the same Dutch festival, Cross-Linx, I think in 2016. We exchanged emails and then it’s one of those things where we can’t quite recollect how we became good friends via quite similar interests and mutual respect for each other’s work. I was curating a festival in Helsinki, the Musica Nova Festival, where I was able to invite Qasim as composer in residence – stargaze were due to perform a concert too. For this concert we commissioned Qasim to write a piece for stargaze specifically, with the brief to create a hybrid work of electronics and live instruments, and this became ‘Inaugural Music.’ We’re so happy to have recorded this in the studio, where we were able to explore the particular sonorities that this beautiful work evokes and requires, as a dialogue of the ensemble and the sounds of the Moog and pulses that we compliment or comment on, while often being enveloped by the ambient soundscapes, too.”

Inaugural Music is a piece we want to hear again and again. Here it is.

Inaugural Music is out now on Transgressive Records