Glass Museum share new single, ‘VAN GLAS’ ft. JAZZ BRAK

Glass Museum are gearing up to release their highly anticipated new album, 4N4LOG CITY, on September 19th through Sdban Ultra. This will be the band’s first record as a trio, following the recent addition of bassist Issam Labbene alongside keyboardist Antoine Flipo and drummer Martin Grégoire. The album also features guest appearances from artists like vocalist JDS, Swiss drummer Arthur Hnatek, and rapper JAZZ BRAK, who is a member of the Brussels-based hip-hop collective STIKSTOF and features on the band’s latest single, ‘VAN GLAS’. Built around the phrase “Al wat van glas is breekt” (“everything made of glass breaks”), the song delves into themes of “personal doubts, social expectations, and the search for clarity”, as the press release describes. ‘VAN GLAS’ comes with an accompanying video, shot in 16mm film and directed by Thomas De Hemptinne, and visually complements this narrative, following a bicycle courier on a late-night journey through an empty city. Watch it below.

Makaya McCraven announces four new EPs and shares lead tracks

Photo: Shannon Marks

Makaya McCraven is back with a new body of work, and it’s as ambitious and exploratory as we’ve come to expect from the Chicago-based drummer, composer, producer, and all-around sonic visionary. This time he brings not just one, but four new EPs: Techno Logic, The People’s Mixtape, Hidden Out! and Popup Shop. All four are set to land on October 31st, with a double LP/CD compilation titled Off the Record arriving earlier on October 10th through International Anthem, Nonesuch, and XL Recordings.

These are McCraven’s first new recordings since 2022’s In These Times, and they take him back into the live-to-studio process that has long defined his sound. Like In The Moment or Universal Beings, these new EPs are built from live improvisations, later sculpted in the studio with his trademark layering, sampling, and production wizardry.

The material across the four EPs spans nearly a decade of performances, from his 2015 debut in Los Angeles to a session earlier this year in Berlin, and each EP draws from a different cast of incredible collaborators. Techno Logic brings together Ben LaMar Gay and Theon Cross, weaving together years of performances from London, Berlin and New York, tracing the evolution of their shared musical language. The People’s Mixtape finds McCraven marking ten years since In The Moment with a celebratory session at Public Records in Brooklyn, alongside longtime collaborators Junius Paul, Marquis Hill and Joel Ross, with synthesist Jeremiah Chiu joining the group for the first time. Hidden Out! revisits McCraven’s 2017 residency at Chicago’s Hideout, where he played weekly with a rotating lineup including Jeff Parker, Josh Johnson, and Junius Paul. And Popup Shop comes from recordings of McCraven’s Los Angeles debut in 2015 at Del Monte Speakeasy, as part of RAWS:LA, an event produced by King Hippo and Grown Kids Radio, where he improvised with guitarist Jeff Parker, vibraphonist Justefan, and bassist Benjamin J. Shepherd.

The result isn’t just a collection of performances, but something that reflects the beautiful, messy and human side of making music in real time. Speaking about the project, McCraven says:

“In a time where we’re increasingly connected through phones, in a virtual world where you can’t really tell what’s real or what’s fake, there’s something special where we come together and share space, there is something special where we are sharing music, art. I want to create an energy that amplifies the magic in the underground moments where we come together and we experience something wild, different, off the cuff, human. What I’m trying to present is a dreamlike alteration of that energy, which only exists in the recorded realm. But to actually have been there, in real life, is the special thing.”

Lucky for us we can already hear four fresh tracks to get excited before the full release as McCraven has unveiled a lead track from each EP, ‘Technology’, ‘Choo Choo’, ‘Away’ and ‘Imafan’. Take a listen to all four tracks below.




Chicago Underground Duo’s new LP Hyperglyph out today; listen to title track

Photo: Dave Vettraino

After more than a decade of silence, Chicago Underground Duo return in full force today with the release of Hyperglyph. It marks a monumental comeback for the long-running project of composer and multi-instrumentalist Rob Mazurek and composer and percussionist Chad Taylor, a duo whose influence across jazz, electronic, and improvised music has resonated far beyond their Chicago roots since the late 90s.

Building on the ecstatic energy of last month’s lead single ‘Click Song‘, today also brings the album’s title track, a high-voltage transmission of marching rhythms, blown-out trumpet, and cosmic textures. Like much of Hyperglyph, the piece is grounded in rhythmic traditions from across the African continent, but also spirals toward something future-facing and unclassifiable. Take a listen below.

Hyperglyph is out today through International Anthem.

Mulatu Astatke breathes new life into new single ‘Kulun’

Photo: Karston Tannis

Following the lead single ‘Netsanet’, Mulatu Astatke has shared a new single, ‘Kulun’, ahead of his upcoming album Mulatu Plays Mulatu. A reworking of a traditional Ethiopian wedding song, the track is built around the anchi-hoye scale, central to the country’s musical identity. Recorded between London and Addis Ababa with his long-time UK band, ‘Kulun’ revisits the sounds that helped redefine Ethiopian music in the late ’60s and early ’70s. The ensemble, shaped through years of live performance and sessions at Addis’s Jazz Village, brings fresh energy and depth to the arrangement.

Mulatu Plays Mulatu arrives on September 26 through Strut. Now listen to ‘Kulun’.

The Necks’ 20th album, Disquiet, arrives this October as a triple release

Photo: Dawid Laskowski

Revered experimental jazz trio The Necks return this October with Disquiet, a sprawling new triple album. Marking their milestone 20th studio release, as well as their 39th year together, the upcoming Disquiet spans more than three hours of vast, absorbing, textural and quietly electrifying sound. According to the press release, the album finds Tony Buck, Chris Abrahams, and Lloyd Swanton “pushing at the outer edges of their collective intuition, building and unraveling hypnotic structures with microscopic focus”. The four extended pieces on Disquiet were “meticulously recorded and sculpted” to explore texture, space, and subtle shifts in mood and rhythm. There’s no set order for listening, just three discs of open and immersive music inviting listeners to experience the music in any order.

We’ll have to wait until October 10th for the album to drop through Northern Spy but we can already hear the transcendent ‘Causeway’, clocking in at 26 minutes. Let it unfold.

Second single released from Saul Williams meets Carlos Niño & Friends at TreePeople

Last month, we shared the exciting announcement of Saul Williams meets Carlos Niño & Friends at TreePeople, the first full-length collaboration between poet, musician, and visionary Saul Williams and master percussionist and producer Carlos Niño. Recorded live in December 2024 beneath the black oak and walnut trees of Coldwater Canyon Park in Los Angeles, the album is a powerful gathering of kindred spirits in a setting shaped by ecology, memory, resistance, and release. Alongside Niño’s close collaborators, including Kamasi Washington, Nate Mercereau, Maia, Aaron Shaw, Francesca Heart, Andres Renteria, and a special appearance by aja monet, the album bridges disciplines and generations with spiritual depth and daring imagination.

Following the affective, immersive and meditative lead single, ‘Sound then Words’, they are sharing today the second single from the album, ‘The Water Is Rising / as we surpass the firing squad . . .’, featuring poet aja monet, who delivers a soft yet searing reading of her poem The Water Is Rising, a quiet reckoning with climate, collapse, and care. Williams follows with a hopeful parable about a firing squad, where one member hesitates, caught between duty and belief. It becomes a meditation on the possibility of humanity within the machinery of violence. Haunting, stirring, and laden with quiet urgency, ‘The Water Is Rising / as we surpass the firing squad . . .’ is streaming below.

Saul Williams meets Carlos Niño & Friends at TreePeople is out on August 28th through International Anthem