Photo: Alex Munro
2021 will kick off with a marvellous, serene and immersive new album from NYC-based musician and composer Elori Saxl. Entitled The Blue of Distance, the album borrows its title from Rebecca Solnit´s book A Field Guide to Getting Lost and saw Saxl explore the role technology plays in our relationships to geography and nature by blending processed recordings of wind and water with analog synthesizers and chamber orchestra. Half of the album was written in the Adirondack mountains of northern New York during the summer and the other half came to life on a frozen island in Lake Superior in the middle of winter.
Saxl shared some insight about the album:
“Being born in 1990, I was interested specifically in exploring what it means to have grown up contemporaneously with the proliferation of the internet and new technology such as Google Maps, Youtube, and smartphones filled with photos and videos that allow us to access distant people and places without being physically present. I was interested in understanding how the personal experience of memory formation may parallel humanity’s changing relationship with land through new technology that allows us access to a place or person without being physically present.
When I began working on the album, I was really focused on that abstract conceptual idea. I wrote the first half in the middle of summer in a beautiful verdant place, and it was one of the happiest times that I’ve experienced in my life. I returned to the album later that winter while living on an island in the middle of a very frozen Lake Superior. Emotionally, I was in a pretty low place, but I wanted the piece to feel cohesive, so I started looking back at photos and videos from my summer to try to remember what I’d felt like so that I could infuse the new music with that same emotion. Unsurprisingly, that process didn’t work, but what resulted was perhaps more interesting: a distorted version of the original experience and emotion. I’d begun the album using flowing water and wind as the sample source. For the 2nd half, I went to go collect more samples from my new surroundings, but the water was under a foot of ice. So the sound itself also became distorted through the ice, mimicking the process my memory was playing on the original experience. Through this process, what began as something conceptual became very personal.
Before starting the album, I’d been listening to a lot of electronic dance music and was struck by the use of modular synths to create pulsing beats. I’d been spending a lot of time sitting outside listening to the wind and water, which I noticed were also pulsing. It hit me that maybe there was a way to use those sounds as a sound source to create beats. So basically trying to figure out how to shape wind and water into a pulsing beat that emulated a modular synth (or rather, pull out the pulses inherent in those sounds) was what led to the musical foundation of The Blue of Distance. Then I just tried to think about what acoustic instruments the electronics sounded like and just write parts that mimicked the electronics so that there was a blurring and confusion of sounds. The water and wind samples’ pitch bends and sways, mimicking a synthesizer and confusing the distinction between natural and artificial (or digital) sounds.”
The Blue of Distance is set for release on January 22nd through Western Vinyl and ahead of it, Saxl has already enticed us with two cuts from the album, ‘Wave I’ and ‘Wave III’. Both come with a self-directed video accompaniment. Take a look.
