Kyle Bruckmann releases double album Mesmerics/Hindsight

Photo: Lenny Gonzalez

Kyle Bruckmann is a man of many talents: a composer, educator, improviser, electronic musician and master oboist. Having been a fixture of the Chicago experimental music underground for several years, he has also built a reputation as a prominent experimental musician in Oakland where he now resides.
Bruckmann has just released his first electronic solo album, Mesmerics/Hindsight, a bewilderingly double record that traverses wide-ranging sonic terrains, blending industrial, noise, psych, and trance. The highlight on Mesmerics/Hindsight A is on space while Mesmerics/Hindsight B highlights periodicity. The album “anachronistically evokes, from a sardonic post-techno vantage point, both late 60s and late 70s experimentation”, describes the press release. “By turns hypnotic, immersive, and bludgeoning, Mesmerics/Hindsight charts an unlikely Venn diagram linking the Day-Glo legacy of the San Francisco Tape Music Center with proto-Industrial’s bleak, gray throb.”

Mesmerics/Hindsight was composed and crafted between Bruckmann’s home studio and the electronic music labs of two colleges he teaches at, where he had access to instruments such as the classic Buchla, Moog, and E-mu gear and also more contemporary Eurorack modules. Speaking about the outcome, he described it as “an interleaved love letter to two volatile junctures (both especially salient in the history of the synthesizer) on which I’ve remained perennially fixated: the heady intersection of ‘art music’ experimentalism with ‘popular’ psychedelia as the 60s skidded through the Altamont Pass into the 70s, and the gag reflex of post-punk and industrial as the 70s gave way to the Anglo-American neocon hellscape of the 80s.”

For a staggering taste of what’s on offer, listen to “Used To Dance”, taken from Mesmerics/Hindsight B.

Beauty Pill announce Instant Night EP; watch the video for new single ‘You Need A Better Mind’

Photo: Morgan Klein

Beauty Pill aren’t slowing down. After releasing their full length Please Advise last year, the Washington, D.C. based band have announced details of a new EP, Instant Night, set for release via Northern Spy on December 3rd. The good news comes paired with a thrilling single and video for ‘You Need A Better Mind’. Speaking about the track, Beauty Pill’s Chad Clark comments:

“The Roland TB-303 is an old Japanese synthesizer that was designed to convincingly mimic the sound of a bass guitar. It was introduced in 1981, it sounded like a toy and failed miserably, and it was ultimately discontinued in 1984. It makes freaky, wiggly, cartoony sounds. It sounds fuck-all like a bass guitar. Why am I telling you this? One ended up in my hands for a week. I did a lot of silly stuff with it. I did come up with this one worthwhile riff, which I built a song around. The song is called “You Need A Better Mind.”

“It was recorded with my band in a single take at the end of a recording session for another song. We were tired. None of us cared that much if we failed. The fun spirit you hear in this song is mostly exhaustion… that kind of punchy exhaustion you get late at night when you’ll laugh at anything. The lyrics were inspired by the spooky/funny 10-minute movie “Rachel”. “The song is about the scourge of American loneliness. It is by far the fastest, easiest song Beauty Pill has ever created. We hope you like it.”

Here’s the video for ‘You Need A Better Mind’, directed by Drew Doucette.

Sam Wilkes releases second album One Theme & Subsequent Improvisation

The legend that is bassist, producer and composer Sam Wilkes, a key player in the Los Angeles’ contemporary jazz scene, released last week his second full-length album, One Theme & Subsequent Improvisation, through Leaving Records. The album sprouted from one improvisational recording session also featuring two drummers, a Maestro Rhythm King drum machine, and two synthesists, who played “one repetitive theme that led to two subsequent movements of improvisation”, as the press release explains. Wilkes then tried “find new music through an immersive process” and “decided to destroy the audio of predetermined sections of the music through tape, sampling, and effects experiments.”
One Theme & Subsequent Improvisation is one of those records that you can’t put away. Get a taste with ‘The Drums’ below.

Dummy’s debut album, Mandatory Enjoyment, out now

Photo: Dummy

Following the release of two cassette EP’s last year, LA band Dummy released yesterday their debut full-length album, Mandatory Enjoyment, through Trouble in Mind Records. The group’s drone-pop style weaves together influences as wide-reaching as 60s melodicism, 90s UK noise pop, spiritual jazz, Japanese new age, and Italian minimalism, to create a blissed-out, beautiful and addictive web of sound.

The album’s mesmerizing closing track, ‘Atonal Poem’, was the last single to emerge and Alex from Dummy had this to say about it:

“”Atonal Poem” is the sound of a rock band obsessed with new age music. We were listening to a lot of very peaceful music played on malleted instruments. It’s kind of like, wouldn’t it be funny to try to write a song like this? Why not break the rules? Why not challenge the expectations, especially within yourself? We wanted to create something uninhibited and untethered to convention. We had no idea where it would take us, but this track was the result. In the mythology of the record, this song represents the visitor’s journey home, far away from the atrophy and decay of life on Earth.”

‘Atonal Poem’ comes with an accompanying video. Watch it below.

Listen to Time Wharp’s new single ’10 Year Warranty’

Brooklyn multi-instrumentalist and producer Kaye Loggins aka Time Wharp took us by storm earlier this year with the release of Ingenue, a staggering and hypnotic double single that precedes a full-length album, Spiro World, arriving in early 2022. The surprises keep rolling and Time Wharp shared last week two new singles, ’10 Year Warranty’ b/w ‘R (Version)’ through Leaving Records. Listen to the infectious ’10 Year Warranty’ and head over to bandcamp to listen to ‘R (Version)’.

Bremer/McCoy unveil video for new single ‘Gratitude’

We’ve been eagerly anticipating the release of Natten, the new album from Bremer/McCoy, since they unleashed its title track. Now the Copenhagen based duo of pianist Morten McCoy and bassist Jonathan Bremer are enticing us further with a new bewitching single called ‘Gratitude’. Speaking about the track, McCoy explains:

“I wrote the main melody for the chorus of “Gratitude” one late evening after a session in the studio. I was just sitting and vibing, playing, reflecting on the day and then suddenly this melody just came to me out of nowhere, actually together with the baseline. And it came together with some simple words. I was singing in my head og jeg takker, which is basically “and I give thanks for that. That moment of time, that was just everything, the feeling of being in the universe, where there’s this loving energy, just very present, and the feeling of being humble and grateful for being able to sustain myself by doing what I love, and the feeling of being grateful to have such a nice family, friends around me. I was just very grateful and humbled by simply being in that moment of time.”

The track comes with an accompanying video directed by Paul Diddy and you can delight yourself with it below.

Natten is out on October 29th through Luaka Bop.